J. Baixas (1996) is a composer based in Barcelona.
"[A]ny text is constructed as a mosaic of quotations; any text is the absorption and transformation of another."
Julia Kristeva
Jaume Baixas Estradé compositor
J. Baixas (1996) is a composer based in Barcelona.
"[A]ny text is constructed as a mosaic of quotations; any text is the absorption and transformation of another."
Jaume Baixas Estradé compositor
Between two musical notes there exists one note; between two grains of sand, no matter how close they are, there is an interval of space, there is a feeling that lies between feelings. In the interstices of primordial matter [...]
Read more
Op. 17
「」
See more
Op. 16
For the transmutation of metals, names of trobairitz have been invoked. [...]
Read more
Op. 15
The harmonic language of Cours d'Harmonie de Nadia Boulanger is entirely drawn from one of the few surviving classroom notes of Nadia Boulanger’s teachings [...]
Read more
Op. 14
Mètopes is a concerto for piano and ensemble.
The material of the soloist part comes entirely, and without any kind of processing, from Karol Szymanowski’s solo piano piece Métopes, Op. 29 (in the manner of an objet trouvé). [...]
Read more
Op. 13
De vos iex j’ay muir lonc a Margot deüst foyrance
chascuns m’ochist bonne chançon pour fel veöir,
neporhuec Diex weult puere Paradis.
[...]
Read more
Op. 12
If Eneko Lacalle once joked about comparing Sciarrino’s Perduto in una città d'acque to a Schenkerian analysis, [...]
Read more
Op. 11
A nocturnal —in the Bartókian sense— study on perfect unisons and microtonal deviations through ornamentation. It can be thought as a macroscopic bisbigliando [...]
Read more
Op. 10
The cello has long been associated with eroticism:
[...]
Read more
Op. 9
With this diptych I wanted to create a forgettable piece, a piece that, after being heard, would simply be forgotten. [...]
Read more
Op. 8a
& 8b
& 8b
[Score currently under revision.]
See more
Op. 7
the Baroque of the depth capturing performance, historically informed from this version of stirring “Hallelujah” with clarity, renewed invites Messiah to live dramatic of the Soloists [...]
Read more
Op. 6
The material for Symphonia Harmoniæ Cælestium Revelationum is entirely extracted from folio 480v, column c, of the Wiesbaden Codex manuscript, dated to the late XIIth century. [...]
Read more
Op. 5
Ia. à la Berg
II. Toccatina
III. à la Kurtág
IV. Burlesque
Ib.
V. Ach wie flüchtig, ach wie nichtig
VI. Fuga
[...]
Read more
Op. 4
________________________________________________________________________________________________________________________________________[...]
Read more
Op. 3
今三盃
宵つに
かの
な名
一を
一飲
一む Matsuo Bashō
[...]
Read more
Op. 2
Sketch piece made on millimeter paper.
See more
Op. 1