JAUME BAIXAS
J. Baixas (1996) is a composer based in Barcelona.

"[A]ny text is constructed as a mosaic of quotations; any text is the absorption and transformation of another."
Julia Kristeva









Jaume Baixas Estradé compositor
COURS D’HARMONIE DE NADIA BOULANGER

The harmonic language of Cours d'Harmonie de Nadia Boulanger is entirely drawn from one of the few surviving classroom notes of Nadia Boulanger’s teachings [...]

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Op. 14

MÈTOPES

Mètopes is a concerto for piano and ensemble.

The material of the soloist part comes entirely, and without any kind of processing, from Karol Szymanowski’s solo piano piece Métopes, Op. 29 (in the manner of an objet trouvé). [...]

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Op. 13

RONDEAU

De vos iex j’ay muir lonc a Margot deüst foyrance
chascuns m’ochist bonne chançon pour fel veöir,
        neporhuec Diex weult puere Paradis.
[...]

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Op. 12

OP. 28 NO. 2 

If Eneko Lacalle once joked about comparing Sciarrino’s Perduto in una città d'acque to a Schenkerian analysis, [...]

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Op. 11

NOCTURN
 
A nocturnal —in the Bartókian sense— study on perfect unisons and microtonal deviations through ornamentation. It can be thought as a macroscopic bisbigliando [...]

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Op. 10

HISTOIRE DE L’ŒIL

The cello has long been associated with eroticism:
[...]

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Op. 9

COMPOSICIÓ EN GRIS | COMPOSICIÓ EN TURQUESA

With this diptych I wanted to create a forgettable piece, a piece that, after being heard, would simply be forgotten. [...]

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Op. 8a
  & 8b

, DIEWEIL

[Score currently under revision.] 

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Op. 7

BORN UNTO CHILD A FOR IS US

the Baroque of the depth capturing performance, historically informed from this version of stirring “Hallelujah” with clarity, renewed invites Messiah to live dramatic of the Soloists [...] 

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Op. 6

SYMPHONIA HARMONIÆ CÆLESTIUM REVELATIONUM

The material for Symphonia Harmoniæ Cælestium Revelationum is entirely extracted from folio 480v, column c, of the Wiesbaden Codex manuscript, dated to the late XIIth century. [...]

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Op. 5

SUITE A J. S. BACH

Ia.  à la Berg
II.  Toccatina
III. à la Kurtág
IV.  Burlesque
Ib.
V.   Ach wie flüchtig, ach wie nichtig
VI.  Fuga

[...]

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Op. 4

TOCCATA

________________________________________________________________________________________________________________________________________[...]

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Op. 3

HAIKU

今三盃
宵つに
かの
な名


む    Matsuo Bashō

[...]

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Op. 2

CARTOGRAFIA

Sketch piece made on millimeter paper.

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Op. 1